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Carnival in Guinea-Bissau

Bathing its shores with the bluest waters of the Atlantic Ocean lies a small nation on the coast of West Africa known as Guinea-Bissau, and surrounded by voices in both Wolof and Pular. Each year, as the dry season reaches its zenith, this vibrant land bursts into a symphony of colours, rhythms, and traditions during its annual carnival – a three-day event from 2 to 4 March 2025.

A mosaic of cultures

Guinea-Bissau’s carnival is a living testament to the nation’s rich culture. The festivities bring together various ethnic groups, each contributing their unique customs and traditions to the celebration. From the coastal Bijagós (an ethnic group indigenous to the Bijagós Archipelago – around 88 islands off the coast), to the inland Pepels and Fulas, the streets of Bissau transform into a living museum of cultural expression. Participants go above and beyond, handcrafting elaborate costumes and masks many months in advance, showing the intricate artistry inherent in each community.




 

The essence of the celebration

Unlike the grandiose floats of Rio or the masked balls of Venice, Guinea-Bissau’s carnival is deeply rooted in ancestral traditions and the natural world. Masks play a pivotal role, often representing spirits, animals or mythical beings. One iconic figure is the Kankouran, a traditional Mandinka character believed to chase away evil spirits, especially during initiation ceremonies. Draped in vibrant red attire, the Kankouran dances through the streets, embodying both protector and enforcer, ensuring that cultural norms are upheld.



Dance and music: the carnival’s heartbeat 

At the core of the festivities lies dance and music, a pulsating heartbeat that unites all participants. Traditional instruments, such as drums and balafons, set the rhythm for dancers who move with a grace passed down through generations. Each performance tells a story, from tales of harvest celebrations to rites of passage. The Bijagós people, for instance, perform dances that mimic the movements of animals, paying homage to their deep connection with nature.


Preparation: a labour of love

The dedication to the carnival is evident in the months-long preparations. Communities gather to craft masks and costumes, often using materials sourced from their immediate environment. This practice not only highlights their resourcefulness but also commitment to preserving the environment. The process becomes a communal activity, strengthening bonds and ensuring that traditions are passed on to younger generations.

Unity in diversity

While each ethnic group brings its distinct flavour to the carnival, the overarching theme is one of unity. The festivities serve as a reminder of the strength found in diversity. As dancers from different backgrounds perform side by side, they weave a narrative of harmony and mutual respect. Spectators, both local and international, are treated to a visual and auditory feast that encapsulates the spirit of Guinea-Bissau.





The carnival’s evolution

Over the years, the carnival has evolved, incorporating contemporary elements while staying true to its roots. Modern dance troupes have emerged, blending traditional rhythms with contemporary beats, attracting younger audiences and ensuring the carnival’s relevance today. Yet, the essence remains unchanged – a celebration of life, culture and community.


Experience it yourself

For those seeking an authentic cultural immersion, Guinea-Bissau’s carnival offers an unparalleled experience. It’s an invitation to witness a nation’s soul laid bare in song, dance and artistry. As the last drumbeat fades and the final dancer exits the stage, the spirit of the carnival lingers, showing the enduring power of tradition and unbreakable bonds of community.



Reflections on the 2025 carnival

This year’s carnival was particularly special, marking a resurgence of cultural pride and unity. After years of global challenges, the streets of Bissau thrummed with renewed energy. The participation of youth groups highlighted a promising future for the preservation of traditions. The fusion of age-old customs with modern interpretations showcased the dynamic nature of the country’s cultural landscape.

As the sun sets on 4 March 2025, concluding the three-day carnival, the echoes of laughter, music and dance remained in the hearts of all who participated. Guinea-Bissau’s carnival is more than just a festival; it’s a living, breathing embodiment of a nation’s heritage, resilience and unyielding spirit. In celebrating together, the people of Guinea-Bissau reaffirm their commitment to preserving their rich cultural mosaic for generations to come.

 

Photos

Quintino Ramalho
Hiobaldine Adjoca Sá

Sources:

Atlas Obscura, Carnival in Guinea-Bissau represents resistance and possibility, 2022.

Aljazeera, Guinea Bissau Carnival celebrates diversity and nature, 2016.

UN Tourism, The festivities of the carnival of Guinea-Bissau, 2019.

Ceiba Bissau, Carnivals: diversity and culture.

Orango Park Hotel, Representative masks of all the country’s ethnic groups star in the Bissau carnival parades.




Hollywoodbets Cape Town Street Parade 2025

Cape Town came alive on 4 January 2025 as the Hollywoodbets Cape Town Street Parade filled the streets with vibrant music, colour, and energy. More than 75,000 people gathered to witness over 20,000 minstrels and 22 troupes weave through the city, from the historic District Six to the lively Bo-Kaap. Ghoema beats echoed through the air, sequins sparkled in the sunlight, and the spirit of the Kaapse Klopse lit up every corner.



The Purple Mile buzzed with excitement as performers dazzled in beautifully crafted costumes, and the Grand Parade, with City Hall standing proudly in the background, became a hub of music and dance. This was Cape Town in full celebration – a city honouring its heritage and uniting people through rhythm, colour, and joy.



This year was especially significant as it marked the 21st anniversary of the Kaapse Klopse Karnival Association. Every performance reflected months of hard work and creativity, highlighting the deep-rooted pride of the local communities in preserving this iconic tradition.

Cape Town once again proved why this event holds such a special place in the city’s heart – a vibrant, joyous display of unity and culture that continues to inspire.



Follow future festivities, up-to-date news and all things Klopse via their social media channels:

Image credits: Karriem Salie and Niyaaz Adhikarie

1-54 Marrakech

From 30 January to 2 February 2025, the 1-54 Contemporary African Art Fair returns to Marrakech, bringing together an extraordinary mix of established names and emerging talent from Africa and its diaspora. For art lovers, this sixth edition promises four days of powerful visuals, cultural exchange, and storytelling that stretches far beyond the gallery walls. Set against the timeless grandeur of La Mamounia and the contemporary vibrancy of DaDa, located in the heart of the Medina, the fair will once again pair Marrakech’s storied heritage with modern artistic expression. These two iconic venues create a seamless experience where art and place converge beautifully.

This year’s edition welcomes 30 exhibitors from 14 countries, with nearly half representing galleries from across the African continent. Ten Moroccan-based galleries will anchor the event, underscoring the fair’s deep connection to the local art ecosystem. Newcomers like C+N Gallery CANEPANERI from Milan, space Un from Tokyo, Galerie Farah Fakhri from Abidjan, Hunna Art from Kuwait City, Le Violon Bleu Gallery from Sidi Bou Said, and Abla Ababou Galerie from Rabat add a fresh perspective to the lineup. Since its launch in Marrakech in 2018, 1-54 has evolved into a vital hub for African contemporary art, attracting international collectors, curators, and art lovers who come to engage with works that span painting, sculpture, installation, and textile. It strikes a perfect balance between honoring tradition and embracing innovation.


Isabelle.D, Mensonge et Vérité, 2024, Fibers on canvas, 55 x 55 cm


Chigozie Obi, Cozy Comfort, 2024, Oil and acrylic on canvas, 137 x 106 cm. Courtesy C+N Gallery CANEPANERI & the Artist


This year’s Special Projects spotlight the remarkable work of artist Amina Benbouchta in collaboration with the Kalhath Foundation. During her residency at the Kalhath Institute, Benbouchta worked alongside twenty Indian master embroiderers, weaving contemporary vision with traditional needlework techniques. Her art uses embroidery as a language of resistance, healing, and reflection. Motifs such as crinolines and hybrid figures transform symbols of restriction into powerful statements about memory, identity, and cultural narratives. Benbouchta’s work invites viewers to reflect on untold stories and examine the relationship between personal histories and collective traditions.

Founding Director Touria El Glaoui describes the fair as a celebration of diversity and innovation, perfectly situated within Marrakech’s vibrant cultural landscape. Longstanding partners like Fondation TGCC, Think Tanger, and L’appartement 22 add to the programming with curated talks, installations, and collaborative projects that merge local and international perspectives. This robust lineup ensures that visitors engage deeply with art that challenges, inspires, and connects.

The experience doesn’t stop at 1-54’s venues. Marrakech itself becomes an extension of the fair, offering countless opportunities for exploration. Wander through the maze-like alleys of the Medina, take in the tranquil beauty of Jardin Majorelle, or visit spaces like MACAAL (Museum of African Contemporary Art Al Maaden). As the city pulses with energy during the fair, creativity spills into every corner, making it a truly immersive experience for those who appreciate art’s ability to tell profound human stories.

Whether you’re an avid collector, a curious observer, or simply in search of inspiration, 1-54 Marrakech is not to be missed. Its exceptional programming, stunning locations, and the sheer diversity of works on display make it a standout on the global art calendar.



Image credits above from left to right: Alex Burke, Library, 2024, Mixed media, wood and fabrics, 71 x 64 x 12 cm. Courtesy of the artist and Loeve&Co, Taher Jaoui, Background noise, 2023, Oil, acrylic and charcoal on canvas, 160 x 135 cm. Courtesy of GALERIE FARAH FAKHRI and Taher Jaoui, Maïssane Alibrahimi, Socle de la couleur, 2021, 3D pen on floor tiles, Variable dimensions. Courtesy of Hunna Art, Malick Welli, Series Forgotten paradise, 2024, Photography, 120 x 160 cm, Edition of 3 + 1 AP. Courtesy of L’Atelier 21, Casablanca, Morocco, M’barek Bouhchichi, Seul, 2024, Mixed media on rubber, 115 x 115 cm. Courtesy of L’Atelier 21, Casablanca, Morocco, Aliou Diack, Dialogue 2, 2024, Mixed Media on Canvas ,180 x 130 cm. Courtesy of space Un

Main image credit: Sara Benabdallah, Sacred Tree (Large Format), 2024, Fujiflex print

Fair Dates: 30 January – 2 February 2025 | Press Preview: 30 January 2025
Venues: La Mamounia & DaDa, Marrakech | More Info: 1-54.com

Seated in Power

The Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA) is currently presenting One Must Be Seated, an acclaimed solo exhibition by Ghanaian-American artist Rita Mawuena Benissan. Opened on 13 November 2024, this groundbreaking exhibition runs until 5 October 2025 and delves into the cultural traditions of Ghana, particularly the symbolic practices of Asante chieftaincy.


Image credit: Dillon Marsh, courtesy of Zeitz MOCAA


Exploring Asante Heritage Through Art


The exhibition places a spotlight on the enstoolment ceremony, a significant ritual marking the appointment of a chief. Through a blend of traditional symbolism and contemporary artistry, Benissan reinterprets the iconic royal stool and umbrella, offering visitors a layered perspective on the cultural heritage of Ghana. Her multidisciplinary approach combines sculpture, photography, video, and textile work to create a deeply immersive experience.


The Royal Umbrella Reimagined


Central to the exhibition is Benissan’s exploration of the royal umbrella, a longstanding emblem of authority in Asante tradition. Historically, this object has represented leadership, concealing the thoughts of its bearer while signifying their elevated status. Benissan collaborates with skilled artisans from Kumasi, Ghana’s Asante capital, to craft her pieces, blending traditional techniques with her own artistic innovations. Her work honours these artisans as co-creators, emphasising their crucial role in preserving Ghanaian heritage.

One standout piece, The Triumphant King Rules (Ɔhene a wɔdi Nkonim No Di Tumi) (2023), features a reinterpreted umbrella made with rich velvet and kente cloth, adorned with archival portraits of past chiefs. This fusion of historical imagery and contemporary textiles bridges past and present, celebrating the enduring relevance of cultural symbols.


An Immersive Journey


The exhibition is designed to mirror the stages of an enstoolment ceremony, guiding visitors through symbolic spaces. Works like We Process at Sunrise (2024), a detailed tapestry depicting the palace at dusk, and We Give Power to You (2024), an umbrella piece rendered in green tones, lead the journey. The experience concludes with a striking golden throne, symbolising the culmination of leadership and legacy.


About the Artist


Rita Mawuena Benissan, born in Côte d’Ivoire and raised in the United States, is celebrated for her research-based practice that bridges history and contemporary art. Her works are part of prestigious collections globally and continue to resonate with audiences through their cultural depth and artistic innovation.


Rita Mawuena Benissan | Image credit: Lauren Theunissen


Exhibition Details


One Must Be Seated is part of Zeitz MOCAA’s ongoing series of solo exhibitions highlighting African and Diasporic artists. It is generously supported by Gucci, the Mellon Foundation, and BMW South Africa.



Image credits above: Dillon Marsh, courtesy of Zeitz MOCAA

Main image credit: Rita Mawuena Benissan, Detail of We Process at Sunrise, 2024. Embroidery on canvas, 250 x 500cm. Image: Nii Odzenma; Courtesy of the artist and Gallery 1957.

Luxury Boutique Escape in Johannesburg

Tucked away in Sandhurst’s leafy embrace, the Saxon Hotel offers an air of refined exclusivity, a world apart from the hum of Johannesburg. Here, luxury is neither loud nor ostentatious but expressed through immaculate attention to detail and a quiet sense of serenity. The lush, expansive gardens envelop the property, creating a haven of calm where time seems to slow.



The suites strike a perfect balance between indulgence and comfort, with understated African influences woven into a contemporary design. Whether in the main hotel or the secluded villas, each space feels thoughtfully crafted, from the fine linens to the beautifully curated décor. Service is effortlessly intuitive—always attentive but never intrusive, anticipating your needs before you’re even aware of them.



Dining is a highlight of the Saxon experience. Qunu’s menu combines bold, locally sourced flavours with an inventive touch, while the Olive Bar’s relaxed yet polished atmosphere makes it ideal for an evening drink overlooking the gardens. Breakfast in the Piano Lounge is an indulgence of its own, featuring freshly brewed coffee, seasonal ingredients, and a setting as inviting as the meal itself.



The spa, a jewel in the Saxon’s crown, offers a tranquil escape where award-winning treatments are delivered with an unrivalled focus on relaxation and rejuvenation. Surrounded by calming design and soothing gardens, every visit feels like an immersive reset for the senses.


The Quiet Art of Breaking Barriers

As we entered a quaint and cosy photo studio in the suburbs of Johannesburg, South Africa, the crew awaited the arrival of a true game-changer. Our high spirits were palpable as we converged to create a set of beautifully produced photographs that would star a living legend.

Upon arrival, Thando’s sweet and composed persona captivated everyone. She greeted each crew member and took her seat for hair and make-up. As we engaged in candid conversations about her children and aspirations, her warmth drew me in; her honesty was palpable and contagious. I found myself speaking to someone who, although a stranger, has the infectious energy and confident demeanour to encourage us all to open up. It’s no wonder she’s reached such incredible milestones in her life – she says what she means and means what she says, giving herself over to any challenge she commits to and often exceeding expectations.

(read the full story in issue 08)

Breaking Barriers Through Song

In a world where stories of resilience often get overshadowed by the noise of daily life, the Ndlovu Youth Choir rises above. Their journey from the rural village of Moutse in Limpopo, South Africa, to the world’s grandest stages is not just an inspiring story, but a celebration of breaking barriers and transforming lives.

What started as an after-school programme for orphaned and vulnerable children by the Ndlovu Care Group has evolved into an international sensation, captivating hearts worldwide. Since its beginnings in 2009, the Ndlovu Youth Choir has rewritten the possibilities for African youth, showing that even in the face of adversity, hope can not only survive but thrive.

(read the full story in issue 08)

Raising Consciousness with Thando Hopa

Thando Hopa has been on my vision board for years. And, luckily for me and every reader soaking in these pages, she graciously agreed to carry our ‘Breaking Barriers’ issue. There’s no more fitting cover star for such a profound theme.

The cover photoshoot was planned to, dare I say it, perfection. Then, of course, life swooped in and reminded me how laughable that was, and I found myself hospitalised during the days she was set to shoot with our team. The shoot carried on without me and the images produced are stunning (find them in our Fashion section on pages 21).

But as I kept revisiting the gallery, I couldn’t shake the feeling that something was missing. I wanted not just to showcase Thando’s striking beauty and enviable fashion sense, but for these pages to act as a vessel for her story – a story that’s woven with lifelong threads of curiosity, bravery, creative energy and unrelenting commitment to self-exploration and collective expansion. Or, as Thando so eloquently puts it, “Media is a way for people to access perspectives that they usually would not have access to. As Africans we are so curious about ourselves, there is aliveness, this rising of consciousness.”

(read the full story in issue 08)