Can people imagine tomorrow without setting fire to yesterday?

Afrofuturism asks what becomes possible when Africa imagines its future on its own terms. For too long, the future was presented as belonging to someone else’s vision, while the continent was cast as a place perpetually catching up to a modernity invented elsewhere. This issue challenges that inheritance by placing African imagination, ancestry and creative authority at the centre of the conversation.

Our cover story features musician Sampa the Great, whose work holds ancestral rhythm and forward motion in the same breath. Her music refuses the idea that tradition and progress must exist on opposite sides of history. Instead, it shows how the past can become a source of propulsion, not an anchor and how memory can help build futures that feel both radically new and deeply familiar.

Across the issue, Afrofuturism explores a continent imagining beyond inherited limitations. It considers technology, music, design, fashion, art and storytelling as tools through which African creators reclaim the right to define what comes next. These are not fantasies of escape from history, but visions shaped by it: futures that carry language, ritual, rhythm, knowledge and ancestral presence forward.

This is an issue about possibility, but it is also about ownership. Imagining tomorrow was never a betrayal of yesterday. It is how yesterday continues to speak, how old knowledge finds new form, and how Africa moves from being cast as behind to being recognised as ahead, on its own terms. Bring home Afrofuturism and enter a future imagined by Africa, where heritage is not left behind but carried boldly into what comes next.

English Edition. Printed in premium quality and designed to be collected, displayed and treasured for years to come.